When you get to be as old as I am, you realise that you have been listening to some music artists for over 15 years. If you’re still listening to them now, not just for nostalgia value, there’s got to be something in it.
I’ve posted about this subject before, but now I have some reasoning
The first time I remember listening to Nine Inch Nails. My dodgy school mates and myself were illegally camping over near “the cut” in Australind, and getting way too drunk for that age and causing mischief. As I was just getting out of the phase of listening to pop & rock music, and delving into heavier stuff, this seemed just like the ticket. I’ve always thought my taste in heavy music needed some sort of substance. It wasn’t just about the music, but the lyrics too. Like most music I like. This seemed to be a good fit.
Then I borrowed The Downward Spiral from Daniel, and thought this was one of my new favourite bands.
Over the last 15 years or so, I’ve only managed to see them once in concert, however the two DVD’s I have are probably the best music DVD’s I’ve ever seen (quality and content). I wouldn’t hesitate in going to see them again if they come here.
Trent Reznor has always been the main man in control of just about everything, with band members coming and going during different eras. The music style varies from incredibly poppy, to dance beats, to industrial, to heavy, to a combination of all the above, with plenty of instrumentals. After he got off the drugs, the releases started coming more than every 5 years, and in the last 5 years he has embraced the decline of the usual music release model {gone independent, releasing songs and albums for free, releasing most tracks in remixable formats (for free), using an alternative reality game to promote an album (including leaving the songs in bathrooms at concerts)}.
It seems like the focus has shifted to getting the most out of the technologies available and getting busy with it.
ie, the latest move of plotting tours, and latest album downloads with KML maps for Google Earth

Or maybe it’s just the style of artwork and photos, the live concert setups, the amazing recording studio, or everything culminated over the last 15 – 20 years that every time I see his recording studio, or photo of any kind, I imagine myself being as awesome as this collective project.



